Let it out

By Ingrid Fetell Lee

Emotions. They’re tricky things, aren’t they?

While we at least have the illusion of some conscious control over our thoughts, our emotions can feel like they come and go at will. Whose will? Not ours, certainly. Not when we’re overcome with anger about a personal squabble in the midst of a work presentation, or seized by giggles in the midst of a funeral. Not when struck by a wave of desire in the midst of a family dinner.

Emotions have an edge on thoughts, too, because of their visceral power. Thoughts zip around the brain on neurons and neurotransmitters. Emotions do that too, but also flood our whole body with hormones. They twist guts into knots, blush cheeks, and make legs quiver. They can spill saltwater from our eyes or pull every hair on our arms into a vertical state. They electrify our muscles. Which makes sense — after all, the purpose of emotions is to move us to action. The word emotion comes from the Latin roots e- + movere, which means “to move us out of ourselves.”

I often explain my philosophy on joy this way: I believe that joy isn’t just something we have to find. It’s also something we can create, for ourselves, and for others.

But if emotions are so out of our control, then how do we create them? We can’t exactly manufacture them, running them off an assembly line the way we do headphones or bouncy balls or window frames. No, when I say we can create joy, what I mean is that we can create the conditions that make joy more likely to arise. We learn what joy likes, what it’s attracted to, and how to tempt it out of hiding. We can’t force it. But we can make it more likely to visit.

For example, we know that joy is more likely to arise in a colorful place than in a drab one, among the whimsical shapes of the playground than in the grim cubicles of the office, when there’s laughter nearby as opposed to silence. It’s not that joy can’t appear other places; it often does. But as the old saying goes, you catch more flies with honey than vinegar. So why not get into the honey business if you can?

The thing I’ve been thinking about lately when it comes to our emotions is that sometimes they don’t come so readily to the surface. Sometimes they can get stuck. This is especially common among survivors of trauma, as psychiatrist Bessel Van der Kolk describes in his deeply fascinating book The Body Keeps the Score. For those who have experienced profoundly disturbing or painful events, emotions can become repressed, leading to a persistent feeling of numbness, or they can be spontaneously triggered and relived at inopportune moments, such as the way that veterans suffering from PTSD can have agonizing flashbacks when hearing the booms of fireworks on the 4th of July.

For traumatized people, the experience of emotions as involuntary is heightened, so much so that Van der Kolk says that “traumatized people chronically feel unsafe inside their bodies… Their bodies are constantly bombarded by visceral warning signs, and, in an attempt to control these processes, they often become expert at ignoring their gut feelings and in numbing awareness of what is played out inside.”

We don’t need to be survivors of trauma, though, to find that some emotions have difficulty working their way out from the unconscious into either physical expression or conscious awareness. Maybe you’ve felt this with grief: a sense of intense awareness of your grief, yet an inability to cry. Something in you is holding back, even though you have the conscious desire to feel the fullness of it, and to express it. Until one day you see a photo or the timbre of a voice that resembles one you know you won’t hear again, and the dam breaks, and it all pours out.

Expressing our emotions is cathartic, and generally helpful, though there are exceptions. (Be careful with anger, which tends to deepen, not lessen as we express it. Going to a boxing class to pound out one’s rage or yelling at someone may actually activate bodily systems tied to fight-or-flight that intensify the anger and make it harder to overcome.) In general, repressing emotion leads to feelings of frustration, helplessness, and numbness, whereas expressing helps us move through the emotion, take action, and grow from the experience.

I’d been thinking about this when I saw the following tweet:

Sometimes we need to let things out. But there’s no magical switch on us that initiates this kind of catharsis. Because it’s emotions we’re talking about, the only way in is oblique. It occurs to me that this is why we find music so compelling. Melodies and harmonies take such a direct route to our emotions that when we pull up a playlist, we are effectively DJing our feelings, calling up sentiments we might need to access but can’t elicit in any other way.

And while this is particularly useful for negative emotions, the ones we avoid because they make us feel vulnerable or weird or out of control, and therefore often get trapped on their way to expression, it’s relevant to our positive emotions as well. Joy can get stuck too. If you had someone who judged your joy, someone who mocked you for how you played or laughed or sang, then you may have learned that it’s safer not to express it. Or even if no one was outwardly judgmental, but you didn’t have someone who was receptive to your joy, who understood you and laughed with you, you may have begun to keep your joy inside. Joy, too, needs art, music, stories, and sensations that can help draw it out.

It seems to me that our surroundings and our art can be a kind of midwife for our emotions, pulling our innermost feelings up from the depths and allowing them to expand out into the light. And in the process, helping us live freer, more honest lives.

One way to use this, as Chuck Wendig suggests with the movie Coco, is as a direct approach to emotions you know you need help surfacing. But it also occurs to me that an experiment to try might be to explore art, movies, or music of a different emotional register than you typically gravitate toward. Perhaps you have been avoiding not just this kind of art, but these emotions, for a reason. And perhaps by gently agitating them, you might create space to let them out.

February 15th, 2020

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    Discussion (9 Comments)

  1. Elizabeth on February 15, 2020

    I love this. And I adore the movie Coco. Need to rewatch this beautiful piece of art.

    I love photography. Taking pictures. Sharing images. Looking at old images. Liz.

    Reply
    1. Ingrid Fetell Lee on February 15, 2020

      I love Coco too. I cried so much in that movie!! Thanks for your comment, Elizabeth!

      Reply
  2. sHILPA on February 15, 2020

    Great post – very thought provoking, and I think, spot on. I recognize that I need to work on releasing both positive and negative emotions, trapped perhaps over years of going through intense medical training and trying circumstances, public scrutiny and being away from family. Help me learn! As I side note, I am also reading The Body Keeps the Score, and I appreciated the reference to that book. This post was also enlightening in terms of describing the release of emotions that may be needed in veterans, a population whom I will be seeing in the VA Hospital. Thank you, Ingrid.

    Reply
    1. Ingrid Fetell Lee on February 15, 2020

      Thank you, Shilpa! Yes, I have just been thinking about how some professions train us to suppress emotions. Very insightful. Thanks for sharing! And so glad you are enjoying Van Der Kolk. This book is a treasure!

      Reply
  3. Anne Ferguson on February 15, 2020

    I loved the book, and gifted three of my most positive friends but was astounded that none of them had read it, months later. Undeterred, I tell store & bank clerks and strangers waiting in lines with me, about it and they lighten up at the idea of such a book.
    I asked a man who shared an elevator with me what brought him joy,,,he was still naming
    things when I left him on the 5th floor with both of us smiling.
    Your book is one of the best ice breakers I’ve ever had. Instantly uplifting.
    As an immediate result of reading it, I bought 5 red stools, a black and white polkadotted tea kettle in the shape of a chicken, (it’s pouring beak fell off but it is still fun to use) and two new mugs one chartreuse and one bright yellow, with two flowered plates to match. (all of them were on sale)
    They are all things which make me feel happy every day, because they are used every day.
    I am an artist and paint to transmit the joy and gratitude I feel daily for such things as your book, JOYFUL, but now my brightest paintings hang on our walls instead of in storage
    THANKS SO MUCH FOR ALL YOU DO TO PROMOTE JOY, INGRID!!! You’re a Treasure!

    Reply
  4. Eman on February 15, 2020

    Dear Ingrid,
    I enjoyed reading your post, it was enlightening and thoughtful. Your idea about bringing in the joyful atmosphere that would bring our joy with it goes with a similar one in how to practice productivity day by day https://smile.amazon.com/gp/r.html?C=O5ID2HJ90BI3&K=2SUS7OSS0GH5X&M=urn:rtn:msg:20200212003522c8558a7079454260ac6562612260p0na&R=BHK9RV41OSV6&T=C&U=https%3A%2F%2Fsmile.amazon.com%2Fdp%2FB00B77UE4W%2Fref%3Dpe_385040_118058080_TE_M1DP&H=JJZPE6TVXFNWSFYTTWN0YAE4GXKA&ref_=pe_385040_118058080_TE_M1DP
    A book I recently bought that mentioned to bring in your productivity you need to designate you productive hours to your self and surround your self with the influences that inspires you. A music, specific cup, a coffee, a scent..

    Thank you Ingrid to let me practice my life in a joyful way.

    Reply
  5. Lisa on February 16, 2020

    I am drawn to colour , quirkiness & whimsy – especially in my home decor – but I often dismiss my choices as lacking in taste, tacky or childish so find myself hiding things or toning them down. I’ve also noticed I avoid comedy in books, tv & film. Something in me is scared to laugh or enjoy myself and be fully out there. And yes Besel van der Kolk’s book should be compulsory reading!

    Reply
  6. Kameela on February 18, 2020

    Very insightful Ingrid. I feel joy quite a lot and am grateful but I was told by someone very close to me that I can’t sing and Iove to sing. I can sing but not in key. I recently started to teach English to French school children. We sing English songs and they love singing with me . So now joy unbounded 😊

    Reply
  7. Amanda Jensen on February 22, 2020

    Coco was also one I bawled my eyes out in. My late husband Marshall played the guitar. He was a musical whiz, so he left behind several songs for us. My son was 4 when he died, so of course that movie hit home on so many levels.

    Reply

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